Classic of Shaking the Dragon

Classic of Suspicious Dragons: Lower Chapter

疑龍經·下篇

Classic of Suspicious Dragons: Lower Chapter

疑龍經·下篇

General Theory of Acupoint Forms

穴形總論

龍已識真無可疑,尚有疑穴費心思。大抵真龍臨落穴,先為虛穴貼身隨。穴有乳頭有鉗口,更有平坡無左右。亦有高峰下帶垂,更有昂頭居隴首。也曾見穴在平洋,四畔周圍無高岡。也曾見穴臨水際,俗人見穴無包藏。也曾也穴如仄掌,卻與仰掌無兩樣。也曾出穴直如槍,兩水射脅自難當。更有兩山合一氣,兩水三山同一場。君如識穴不識怪,只愛左右抱者強。此與俗人無以異,多是葬在虛花裏。虛花左右似有情,仔細辯來非正形。虛穴假穴更是巧,仔細看來無甚好。怪形異穴人厭看,如何子孫世襲官。只緣怪形君未識,識得裁穴卻無難。

The dragon is already identified as true — no doubt remains. Yet suspicious acupoints still torment the mind. When a true dragon approaches its destined acupoint, it first creates decoy acupoints that follow close beside. Acupoints come as nipples and as pincer-mouths; there are level slopes with nothing on left or right. Some high peaks trail sashes downward; some raise their heads at the ridge-crest. I have seen acupoints on level plains, surrounded by no high ridges. I have seen acupoints at the water's edge — vulgar people see no concealment. I have seen acupoints like a tilted palm, no different from an upturned palm. I have seen acupoints straight as a spear, with two waters shooting at the flanks — almost unbearable. There are also two mountains joining in one qi, two waters and three mountains sharing one arena. If you recognize acupoints but not the strange ones — if you only appreciate tight left-right embraces — you are no different from a layperson. Most such burials end up in false blossoms. False blossoms seem to have feeling on left and right, but careful examination reveals they are not the correct form. False and decoy acupoints are even more artful — yet careful inspection shows nothing truly fine. Strange forms and unusual acupoints are scorned by most people — yet how is it that their descendants inherit office generation after generation? Simply because you have not recognized the strange form. Once recognized, tailoring the acupoint presents no difficulty.

The Lower Chapter addresses the most advanced topic in the Yilong Jing: acupoint identification. Its central insight is that true acupoints often take 'strange' or 'ugly' forms that conventional practitioners reject, while the most appealing formations are often decoys. This inversion of expectation is a hallmark of Yang Yunsong's teaching style.

The five basic acupoint types catalogued here — nipple (乳頭), pincer-mouth (鉗口), level slope (平坡), pendant (帶垂), and raised head (昂頭) — form the foundation of acupoint classification in the Form School tradition.

Correspondence Between Star-Peaks and Acupoint Forms

星峰與穴形對應

識龍自合當識穴,已在《變星篇》內說。恐君疑穴難取裁,好向後龍身上別。龍上生峰是根口,前頭結穴是花開。根口若真穴不假,蓋從種類生出來。若不隨星識根種,妄隨虛穴鑿山隈。請君孰認《變星篇》,為鉗為乳為分別。高低平地穴隨身,豈肯妄下鉗乳穴?穴若不隨龍上星,斷然是假不是真。請君更好舊墳覆,貪星是乳巨鈐局。

Recognizing dragons naturally entails recognizing acupoints — this has already been discussed in the Chapter on Changing Stars. For fear that you find acupoints difficult to assess, look backward along the dragon's body for distinction. Where the dragon produces peaks, that is the root and seedling; where it crystallizes an acupoint ahead, that is the flower blooming. If the root is true, the acupoint cannot be false — because it grows from a recognizable species. If you do not follow the star to identify the root-species, you will recklessly chase a false acupoint and hack into mountain recesses. Please study the Chapter on Changing Stars carefully — distinguishing pincer from nipple. Acupoints on high ground, low ground, and level ground all follow the dragon's body — who would recklessly set a pincer-or-nipple acupoint without regard? If the acupoint does not follow the star atop the dragon, it is certainly false and not true. Please also investigate old existing tombs: Greedy Wolf star produces nipple-forms; Giant Gate produces pincer-configurations.

This section teaches the principle of star-acupoint correspondence: each of the nine stars produces a specific acupoint type. Greedy Wolf (貪狼, wood/pointed) produces nipple acupoints. Giant Gate (巨門, earth/square) produces pincer acupoints. Knowing which star the dragon carries at its entry-point determines what acupoint form to expect — and any mismatch reveals a false site.

Audience Mountains Fix the Acupoint; Essentials of Acupoint Method

朝山定穴與穴法要訣

看他形象宛在中,最是朝山識正龍。高低只取朝山定,莫言三穴有仙蹤。千里來龍只一穴,正者為優旁者劣。枝上有穴雖有形,不若幹龍為至精。龍從左來穴居右,只為回來方入首。龍從右來穴居左,只為藏形如轉磨。高山萬仞或低藏,看他左右及外陽。左右低時在低處,左右高時在高岡。朝山最是龍正穴,不必求他金尺量。正穴當朝必有將,有將便宜為對向。穴在南時北上尋,穴在北時南上望。朝迎矗矗兩邊摭,向內有如雞見蛇。對面正來不傾仄,才方移步便欹斜。只將對將尋真穴,將若真時穴最佳。 乳頭之穴怕風缺,風若入來人絕滅;必須低下避風吹,莫道低時鱉裙絕。鉗穴如鈕掛壁隈,惟嫌頂上有水來;釵頭不圓多破碎,水傾穴內必生災。仰掌要在掌心裏,左右挨排恐非是。窩形須要曲如窠,左右不容少偏陂;偏陂不可名窠穴,倒仄傾摧禍奈何!尖槍之穴要外裹,外裹不牢反生禍;外山抱裹穴如槍,左右抱來尖不妨。

Observe the form-image — it resides right in the center. The audience-mountain is the foremost guide for recognizing the true dragon. Height is determined solely by the audience-mountain — do not claim three acupoints bear the trace of immortals. A dragon coming a thousand li produces only one acupoint: the correct one is superior, the peripheral one inferior. Branch-acupoints may have form, but they are not as refined as the trunk dragon's. When the dragon comes from the left, the acupoint sits on the right — because it turns back to enter at the head. When the dragon comes from the right, the acupoint sits on the left — concealing its form like a turning millstone. Even on mountains ten thousand ren high, the acupoint may hide low — observe the left, right, and outer yang. When left and right are low, the acupoint is in the low place; when left and right are high, it is on the high ridge. The audience-mountain is the foremost indicator of the dragon's correct acupoint — no need to seek it with golden rulers and measurements. The correct acupoint's audience must have a 'general' (a prominent peak serving as counterpart). Where there is a general, that should be the facing direction. When the acupoint is in the south, seek from the north; when in the north, survey from the south. The audience-greeting stands tall on both sides, sheltering inward like a chicken spotting a snake — rigid with attention. When facing directly, it does not tilt; the moment you take one step aside, it slants. Use the 'general' to find the true acupoint — when the general is true, the acupoint is finest. Nipple acupoints fear wind-gaps: if wind enters, the lineage is extinguished. One must descend low to avoid wind — do not say that going low means the turtle-skirt runs out. Pincer acupoints are like a button hung on a wall-recess — the only dread is water coming from the top. If the hairpin-head is not round and mostly broken, water pouring into the acupoint brings certain disaster. Upturned-palm acupoints must be in the palm's center — left-right placement along the edges is likely wrong. Nest-forms must curve like a proper nest — no deviation left or right is tolerable. A slanted nest cannot be called a nest-acupoint; tilting and collapsing, disaster is unavoidable! Spear acupoints require outer wrapping — if the wrapping is not secure, disaster results instead. When the outer mountain wraps around and the acupoint stands like a spear, the pointed shape does no harm if left and right embrace it.

'General' (將 jiàng): A prominent peak on the audience-mountain that serves as the acupoint's precise counterpart. The 'general' must face the acupoint directly and squarely — any deviation confirms the acupoint is off-center. This is the most practical single test for verifying acupoint placement.

'Like a chicken spotting a snake' (如雞見蛇): A vivid metaphor for the ideal relationship between the acupoint and its audience-mountain. Just as a chicken freezes rigid with focused attention when it spots a snake, the audience-mountain should face the acupoint with intense, unwavering directness.

The acupoint-specific warnings at the end constitute a practical field guide: nipple acupoints are vulnerable to wind, pincer acupoints to water from above, palm acupoints to off-center placement, nest acupoints to asymmetry, and spear acupoints to inadequate outer wrapping. Each warning specifies the precise failure mode and its consequence.

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