乾
Qián — The Creative
upper trigram
乾Heaven (Strong)lower trigram
乾Heaven (Strong)The Judgment
元亨利貞。
Character-by-character gloss
Modern Interpretation
You're initiating, not reacting. Success comes through sustained commitment to what's right. Creative force aligned with natural law brings transformation—perseverance is the method.
The Image
天行,健。君子以自強不息。
Character-by-character gloss
Modern Interpretation
Heaven's movement never stops—one day follows another without pause. Match this: continuous self-strengthening, eliminating what degrades, renewing what empowers. Don't slack.
「天行,健。」天的運行從不停止,所以君子要自強不息。這話聽過太多次,聽到有點麻木。但想想:一日接一日,沒有暫停鍵。大部分人做不到。我也做不到。但方向大概是對的。
The Six Lines
First (Bottom) Line
初九 潛龍勿用。
Modern Interpretation
You have the power but not the moment. Wait. Premature force wastes what you're building.
Second Line
九二 見龍在田。利見大人。
Modern Interpretation
You're becoming visible. Influence manifests through natural presence, not forced effort. Seek those of moral stature—alignment compounds when the principled meet.
Third Line
九三 君子終日乾乾。夕惕若厲。无咎。
Modern Interpretation
You're visible now—fame brings crowds who can corrupt through flattery or pull you off course. Stay vigilant. Self-examination is the only defense. No fault if you maintain the axis.
Fourth Line
九四 或躍在淵。无咎。
Modern Interpretation
Here's the choice: advance into the world or withdraw to develop yourself. Either path is blameless if you're true to your nature, not external pressure.
Fifth Line
九五 飛龍在天。利見大人。
Modern Interpretation
Peak influence. Those aligned with you will find you—no need to search. What you are draws what accords with your nature. Water to water, fire to fire.
Sixth (Top) Line
上九 亢龍有悔。
Modern Interpretation
Here's the danger: climb too high and you lose connection with those you serve. Isolation follows. Power without ground leads to inevitable collapse.
Yilin Verse
From the Forest of Changes (焦氏易林) — 乾 Qián (Creative)
道陟石阪,胡言連蹇。譯瘖且聾,莫使道通。請謁不行,求事無功。
The road climbs a stone slope; words falter and stumble. The interpreter is mute and deaf; none can make the way clear. Petitions go unheard; endeavors bear no fruit.
Full explanation
Doubled heaven drives ceaselessly forward, yet here the road climbs a stone slope and every step falters. The interpreter is mute and deaf; no message passes through. Petitions go unanswered, undertakings yield nothing. When Qian meets itself, pure yang has no receptive counterpart — all force, no channel. The image is not weakness but blockage: a powerful signal broadcast into a void where no receiver exists. From Creative to Creative, the transformation warns that initiative without communication is merely noise. Even heaven's tireless motion accomplishes nothing when the path itself refuses to conduct it.
Masterpiece
A work of art reflecting this hexagram's essence

The Ancient of Days
William Blake, 1794
Blake's frontispiece depicts the divine geometer creating the universe with compass and radiant energy. The image portrays primordial creative force—God as architect measuring the cosmos into being, pure yang principle manifesting through geometric order.
Wilhelm Commentary
Richard Wilhelm's classic translation and interpretation
The Judgment
According to the original meaning, the attributes [sublimity, potentiality of success, power to further, perseverance] are paired. When an individual draws this oracle, it means that success will come to him from the primal depths of the universe and that everything depends upon his seeking his happiness and that of others in one way only, that is, by perseverance in what is right. The specific meanings of the four attributes became the subject of speculation at an early date. The Chinese word here rendered by "sublime" means literally "head," "origin," "great. " This is why Confucius says in explaining it: "Great indeed is the generating power of the Creative; all beings owe their beginning to it. This power permeates all heaven. " For this attribute inheres in the other three as well. The beginning of all things lies still in the beyond in the form of ideas that have yet to become real. But the Creative furthermore has power to lend form to these archetypes of ideas. This is indicated in the word success, and the process is represented by an image from nature: "The clouds pass and the rain does its work, and all individual beings flow into their forms. " Applied to the human world, these attributes show the great man the way to notable success: "Because he sees with great clarity and cause and effects, he completes the six steps at the right time and mounts toward heaven on them at the right time, as though on sic dragons. " The six steps are the six different positions given in the hexagram, which are represented later by the dragon symbol. Here it is shown that the way to success lies in apprehending and giving actuality to the way of the universe [Tao], which, as a law running through end and beginning, brings about all phenomena in time. Thus each step attained forthwith becomes a preparation for the next. Time is no longer a hindrance but the means of making actual what is potential. The act of creation having found expression in the two attributes sublimity and success, the work of conservation is shown to be a continuous actualization and differentiation of form. This is expressed in the two terms "furthering" (literally, "creating that which accords with the nature of a given being") and "persevering" (literally, "correct and firm"). "The course of the Creative alters and shapes beings until each attains its true, specific nature, then it keeps them in conformity with the Great Harmony. Thus does it show itself to further through perseverance. " In relation to the human sphere, this shows how the great man brings peace and security to the world through his activity in creating order: "He towers high above the multitude of beings, and all lands are united in peace. " Another line of speculation goes still further in separating the words "sublime," "success," "furthering," "perseverance," and parallels them with the four cardinal virtues in humanity. To sublimity, which, as the fundamental principle, embraces all the other attributes, it links love. To the attribute success are linked the morals, which regulate and organize expressions of love and thereby make them successful. The attribute furthering is correlated with justice, which creates the conditions in which each receives that which accords with his being, that which is due him and which constitutes his happiness. The attribute perseverance is correlated with wisdom, which discerns the immutable laws of all that happens and can therefore bring about enduring conditions. These speculations, already broached in the commentary called Wên Yen , later formed the bridge connecting the philosophy of the "five stages (elements) of change," as laid down in the Book of History (Shu Ching) with the philosophy of the Book of Changes, which is based solely on the polarity of positive and negative principles. In the course of time this combination of the two systems of thought opened the way for an increasingly intricate number symbolism.
The Image
Since there is only one heaven, the doubling of the trigram Ch'ien, of which heaven is the image, indicates the movement of heaven. One complete revolution of heaven makes a day, and the repetition of the trigram means that each day is followed by another. This creates the idea of time. Since it is the same heaven moving with untiring power, there is also created the idea of duration both in and beyond time, a movement that never stops nor slackens, just as one day follows another in an unending course. This duration in time is the image of the power inherent in the Creative. With this image as a model, the sage learns how best to develop himself so that his influence may endure. He must make himself strong in every way, by consciously casting out all that is inferior and degrading. Thus he attains that tirelessness which depends upon consciously limiting the fields of his activity.
First (Bottom) Line
In China the dragon has a meaning altogether different from that given it in the Western world. The dragon is a symbol of the electrically charged, dynamic, arousing force that manifests itself in the thunderstorm. In winter this energy withdraws into the earth; in the early summer it becomes active again, appearing in the sky as thunder and lightning. As a result the creative forces on earth begin to stir again. Here this creative force is still hidden beneath the earth and therefore has no effect. In terms of human affairs, this symbolizes a great man who is still unrecognized. Nonetheless he remains true to himself. He does not allow himself to be influenced by outward success or failure, but confident in his strength, he bides his time. Hence it is wise for the man who consults the oracle and draws this line to wait in the calm strength of patience. The time will fulfill itself. One need not fear lest strong will should not prevail; the main thing is not to expend one's powers prematurely in an attempt to obtain by force something for which the time is not yet ripe.
Second Line
Here the effects of the light-giving power begin to manifest themselves. In terms of human affairs, this means that the great man makes his appearance in his chosen field of activity. As yet he has no commanding position but is still with his peers. However, what distinguishes him form the others is his seriousness of purpose, his unqualified reliability, and the influence he exerts on his environment with out conscious effort. Such a man is destined to gain great influence and to set the world in order. Therefore it is favorable to see him.
Third Line
A sphere of influence opens up for the great man. His fame begins to spread. The masses flock to him. His inner power is adequate to the increased outer activity. There are all sorts of things to be done, and when others are at rest in the evening, plans and anxieties press in upon him. But danger lurks here at the place of transition from lowliness to the heights. Many a great man has been ruined because the masses flocked to him and swept him into their course. Ambition has destroyed his integrity. However, true greatness is not impaired by temptations. He who remains in touch with the time that is dawning, and with its demands is prudent enough to avoid all pitfalls, and remains blameless.
Fourth Line
A place of transition has been reached, and free choice can enter in. A twofold possibility is presented to the great man: he can soar to the heights and play an important part in the world, or he can withdraw into solitude and develop himself. He can go the way of the hero or that of the holy sage who seeks seclusion. There is no general law of his being. If the individual acts consistently and is true to himself, he will find the way that is appropriate for him. This way is right for him and without blame.
Fifth Line
Here the great man has attained the sphere of the heavenly beings. His influence spreads and becomes visible throughout the whole world. Everyone who sees him may count himself blessed. Confucius says about this line: Things that accord in tone vibrate together. Things that have affinity in their inmost natures seek one another. Water flows to what is wet, fire turns to what is dry. Clouds (the breath of heaven) follow the dragon, wind (the breath of earth) follows the tiger. Thus the sage arises, and all creatures follow him with their eyes. What is born of heaven feels related to what is above. What is born of earth feels related to what is below. Each follows its kind.
Sixth (Top) Line
When a man seeks to climb so high that he loses touch with the rest of mankind, he becomes isolated, and this necessarily leads to failure. This line warns against titanic aspirations that exceed one's power. A precipitous fall would follow.