咸
Xián — Influence
upper trigram
兌Lake (Joyful)lower trigram
艮Mountain (Stillness)The Judgment
亨。利貞。取女吉。
Character-by-character gloss
Modern Interpretation
Success. Persistence furthers. Taking a wife brings good fortune. Mutual attraction is a universal law—heaven and earth attract, and everything comes into being. The strong positions itself below the yielding, shows consideration. This is courtship, not seduction. The difference is perseverance.
The Image
山上有澤,咸。君子以虛受人。
Character-by-character gloss
Modern Interpretation
A lake on the mountain, stimulated by the moisture it holds. Keep your mind humble and receptive. People stop advising someone who already knows everything. Openness invites influence; rigidity repels it.
「山上有澤」——湖在山頂,山因此得到滋潤。君子因此「虛受人」——保持謙虛開放,才能接受好的建議。覺得自己什麼都懂的人,很快就沒有人願意給他意見了。
The Six Lines
First (Bottom) Line
初六 咸其拇。
Modern Interpretation
Influence in the big toe. The intention forms before action is visible. Not yet apparent to others, leading to neither good nor bad. The beginning stirs.
Second Line
六二 咸其腓。凶。居吉。
Modern Interpretation
Influence in the calves. The leg moves reflexively, following the foot. Movement not self-governed is dangerous. Wait for genuine impulse before acting. Then no injury.
Third Line
九三 咸其股。執其隨。往吝。
Modern Interpretation
Influence in the thighs. They follow wherever the heart desires, without pause. Acting on every caprice leads to humiliation. Learn to hold back. This restraint is the basis of freedom.
Fourth Line
九四 貞吉悔亡。憧憧往來。朋從爾思。
Modern Interpretation
Persistence brings good fortune. The heart is reached. When the quiet power of character operates, the effects are right. Conscious manipulation exhausts you and limits your reach. Let influence happen naturally.
Fifth Line
九五 咸其脢。无悔。
Modern Interpretation
Influence in the back of the neck—the rigid part. The will stays firm, no confusion results. What happens in the unconscious depths cannot be forced. If you can't be influenced, you can't influence.
Sixth (Top) Line
上六 咸其輔頰舌。
Modern Interpretation
Influence in the jaws, cheeks, tongue. All talk, nothing real behind it. The most superficial approach to influence. Results are necessarily insignificant. Neither good nor bad fortune mentioned—just irrelevance.
Yilin Verse
From the Forest of Changes (焦氏易林) — 咸 Xián (Influence)
雌單獨居,歸其本巢,毛羽憔悴,志如死灰。
An empty nest, remnant feathers sway in the wind; dead vines tangle the branches beyond untangling. The last rays of sunset illuminate a cold wall — a lone shadow, solitary form, desolate.
Full explanation
A lake upon a mountain returns to itself — Influence reflecting upon Influence. The original verse reads: a lone female bird dwells solitary, returning to her own nest, feathers withered and bedraggled, her spirit like dead ashes. This is desolation at its most intimate: not exile but voluntary retreat into an empty home, not anger but the extinction of desire itself. The 'dead ashes' (死灰) alludes to the Zhuangzi's image of the sage whose heart has become still as cold cinders. Yet here it carries no transcendence, only grief. From Influence to Influence, the hexagram does not transform — the lake remains upon the mountain, openness receives only its own echo. Mutual resonance, turned inward with no partner, becomes the loneliest of all conditions.
Masterpiece
A work of art reflecting this hexagram's essence

The Kiss
Francesco Hayez, 1859
Hayez's Romantic painting shows two lovers in medieval dress embracing in a stone archway, their passionate kiss capturing a stolen moment. Created during the Italian unification movement, the work became a symbol of both personal and political union. The mutual attraction and responsive connection between the figures illustrates the hexagram's theme of influence through genuine feeling.
Wilhelm Commentary
Richard Wilhelm's classic translation and interpretation
The Judgment
The weak element is above, the strong below; hence their powers attract each other, so that they unite. This brings about success, for all success depends on the effect of mutual attraction. By keeping still within while experiencing joy without, one can prevent the joy from going to excess and hold it within proper bounds. This is the meaning of the added admonition, "Perseverance furthers," for it is perseverance that makes the difference between seduction and courtship; in the latter the strong man takes a position inferior to that of the weak girl and shows consideration for her. This attraction between affinities is a general law of nature. Heaven and earth attract each other and thus all creatures come into being. Through such attraction the sage influences men's hearts, and thus the world attains peace. From the attractions they exert we can learn the nature of all beings in heaven and on earth.
The Image
A mountain with a lake on its summit is stimulated by the moisture from the lake. It has this advantage because its summit does not jut out as a peak but is sunken. The image counsels that the mind should be kept humble and free, so that it may remain receptive to good advice. People soon give up counseling a man who thinks that he knows everything better than anyone else.
First (Bottom) Line
A movement, before it is actually carried out, shows itself first in the toes. The idea of an influence is already present, but it is not immediately apparent to others. As long as the intention has no visible effect, it is of no importance to the outside world and leads neither to good nor to evil.
Second Line
In movement, the calf of the leg follows the foot; by itself it can neither go forward nor stand still. Since the movement is not self-governed, it bodes ill. One should wait quietly until one is impelled to action by a real influence. Then one remains uninjured.
Third Line
Every mood of the heart influences us to movement. What the heart desires, the thighs run after without a moment's hesitation; they hold to the heart, which they follow. In the life of man, however, acting on the spur of every caprice is wrong and if continued leads to humiliation. Three considerations suggest themselves here. First, a man should not run precipitately after all the persons whom he would like to influence, but must be able to hold back under certain circumstances. As little should he yield immediately to every whim of those in whose service he stands. Finally, where the moods of his own heart are concerned, he should never ignore the possibility of inhibition, for this is the basis of human freedom.
Fourth Line
Here the place of the heart is reached. The impulse that springs from this source is the most important of all. It is of particular concern that this influence be constant and good; then, in spite of the danger arising from the great susceptibility of the human heart, there will be no cause for remorse. When the quiet power of a man's own character is at work, the effects produced are right. All those who are receptive to the vibrations of such a spirit will then be influenced. Influence over others should not express itself as a conscious and willed effort to manipulate them. Through practicing such conscious incitement, one becomes wrought up and is exhausted by the eternal stress and strain. Moreover, the effects produced are then limited to those on whom one's thoughts are consciously fixed.
Fifth Line
The back of the neck is the most rigid part of the body. When the influence shows itself there, the will remains firm and the influence does not lead to confusion. Hence remorse does not enter into consideration here. What takes place in the depths of one's being, in the unconscious, can neither be called forth nor prevented by the conscious mind. It is true that if we cannot be influenced ourselves, we cannot influence the outside world.
Sixth (Top) Line
The most superficial way of trying to influence others is through talk that has nothing real behind it. The influence produced by such mere tongue wagging must necessarily remain insignificant. Hence no indication is added regarding good or bad fortune.