Original Meaning of the Zhouyi

Original Meaning of the Zhouyi: Prefatory Volume

周易本義卷首

Original Meaning of the Zhouyi: Prefatory Volume

周易本義卷首

The River Diagram

河圖

繫辭傳曰河出圖洛出書聖人則之又曰天一地二天三地四天五地六天七地八天九地十天數五地數五五位相得而各有合天數二十有五地數三十凡天地之數五十有五此所以成變化而行鬼神也此河圖之數也

[Description: The River Diagram, arranged in black and white dots representing the numbers of Heaven and Earth.] The Great Commentary says: 'The River produced the Diagram, the Luo produced the Writing, and the sages modeled upon them.' It also says: 'Heaven is one, Earth is two; Heaven is three, Earth is four; Heaven is five, Earth is six; Heaven is seven, Earth is eight; Heaven is nine, Earth is ten. The heavenly numbers are five, the earthly numbers are five. The five positions correspond to each other and each has its complement. The total of the heavenly numbers is twenty-five; the total of the earthly numbers is thirty. The grand total of heavenly and earthly numbers is fifty-five. This is what accomplishes transformation and puts the spirits into motion.' These are the numbers of the River Diagram.

The River Diagram (河圖) is traditionally believed to have emerged from the Yellow River on the back of a dragon-horse during the time of Fuxi. Together with the Luo Writing (洛書), it forms the cosmological foundation of the Yijing. The arrangement assigns odd (yang) numbers to Heaven and even (yin) numbers to Earth, with the number five at the center mediating between them.

The Luo Writing

洛書

左三右七二四為肩六八為足蔡元定曰自漢孔安國劉歆之象闡明有宋康節先生邵雍夫子揭如此至劉牧始兩易其名而措家因之故今復之意從其舊

[Description: The Luo Writing. Dots arranged in a 3x3 grid: nine above, one below, three left, seven right, two and four as shoulders, six and eight as feet, five in the center.] 'Three on the left, seven on the right; two and four are the shoulders; six and eight are the feet.' Cai Yuanding said: 'From the Han dynasty, Kong Anguo and Liu Xin elucidated these images. In the Song, Master Shao Yong revealed them as such. It was Liu Mu who first transposed the two names, and subsequent scholars followed him. We now restore the original designations.'

蔡元定 (Cai Yuanding): Cai Yuanding (1135-1198 AD) was Zhu Xi's closest collaborator on Yijing studies and co-author of portions of the Zhouyi Benyi. He was particularly involved in the restoration of the cosmological diagrams. The controversy over whether Liu Mu had swapped the names of the River Diagram and the Luo Writing was a major scholarly debate in Song dynasty Yijing studies.

Fuxi's Sequence of the Eight Trigrams

伏羲八卦次序

繫辭傳曰易有太極是生兩儀兩儀生四象四象生八卦邵子曰一分為二二分為四四分為八也說卦傳曰乾一兌二離三震四巽五坎六艮七坤八

[Description: Diagram showing the generation of the eight trigrams from the Supreme Ultimate through progressive binary division: Supreme Ultimate generates Two Modes, Two Modes generate Four Images, Four Images generate Eight Trigrams.] The Great Commentary says: 'The Changes has the Supreme Ultimate, which generates the Two Modes. The Two Modes generate the Four Images. The Four Images generate the Eight Trigrams. The Eight Trigrams determine fortune and misfortune.' Shao Yong said: 'One divides into two, two into four, four into eight.' The Commentary on the Trigrams says: 'Qian is one, Dui is two, Li is three, Zhen is four, Xun is five, Kan is six, Gen is seven, Kun is eight.'

邵雍 (Shao Yong): Shao Yong (1011-1077 AD), styled Kangjie, was a Song dynasty cosmologist whose reconstruction of what he called the 'Prior Heaven' (先天) arrangement of the trigrams became the standard in Neo-Confucian Yijing studies. He received his learning through a line of transmission traced back to the Daoist Chen Tuan of Mount Hua.

Fuxi's Arrangement of the Eight Trigrams

伏羲八卦方位

說卦傳曰天地定位山澤通氣雷風相薄水火不相射八卦相錯數往者順知來者逆邵子曰乾南坤北離東坎西兌東南巽西南震東北艮西北自震至乾為順自巽至坤為逆

[Description: The Prior Heaven (Fuxi) arrangement of the eight trigrams: Qian (south), Kun (north), Li (east), Kan (west), Dui (southeast), Xun (southwest), Zhen (northeast), Gen (northwest).] The Commentary on the Trigrams says: 'Heaven and Earth fix their positions. Mountain and Marsh exchange their breaths. Thunder and Wind press upon each other. Water and Fire do not oppose each other. The eight trigrams intermingle. Counting what has passed is going forward; knowing what is to come is going backward.' Shao Yong said: 'Qian is south, Kun is north, Li is east, Kan is west, Dui is southeast, Xun is southwest, Zhen is northeast, Gen is northwest. From Zhen to Qian is the forward direction; from Xun to Kun is the reverse.'

The Prior Heaven (先天) arrangement attributed to Fuxi arranges the trigrams in complementary pairs across from each other: Qian/Kun, Li/Kan, Zhen/Xun, Gen/Dui. This differs from the Later Heaven (後天) arrangement attributed to King Wen, which is used for practical divination and feng shui. The distinction between Prior and Later Heaven became fundamental to Song dynasty Yijing cosmology.

Fuxi's Sequence and Arrangement of the Sixty-Four Hexagrams

伏羲六十四卦次序與方位

前八卦次序圖列者此圖即繫辭傳所謂八卦成列因而重之者也故其所謂八卦者上三畫即前圖之八卦也重而下卦則各以其序重之而為六十四也

[Description: Two diagrams. (1) The sequence of the sixty-four hexagrams, showing how the eight trigrams are doubled through progressive binary division from the Supreme Ultimate, producing all sixty-four hexagrams. (2) The circular arrangement of the sixty-four hexagrams (the Prior Heaven circular diagram), with Qian at the top (south) and Kun at the bottom (north), and a square arrangement in the center.] What the preceding Eight Trigram sequence diagram displays is precisely what the Great Commentary means by 'the eight trigrams are arrayed in a sequence, and by doubling them...' The eight trigrams referred to are the upper three lines, identical to the previous diagram's eight trigrams. These are doubled with lower trigrams, each according to its own sequence, to produce sixty-four.

King Wen's Sequence and Arrangement of the Eight Trigrams

文王八卦次序與方位

乾父坤母震長男坎中男艮少男巽長女離中女兌少女得乾初爻得乾中爻得乾上爻得坤初爻得坤中爻得坤上爻右見說卦邵子曰此文王八卦乃入用之位後天之學也

[Description: Two diagrams. (1) King Wen's sequence: Qian as father, Kun as mother; the three sons (Zhen eldest, Kan middle, Gen youngest) each take one yang line from Qian; the three daughters (Xun eldest, Li middle, Dui youngest) each take one yin line from Kun. (2) King Wen's arrangement (Later Heaven): Li south, Kan north, Zhen east, Dui west, Xun southeast, Qian northwest, Kun southwest, Gen northeast.] Qian is the father. Kun is the mother. Zhen is the eldest son. Kan is the middle son. Gen is the youngest son. Xun is the eldest daughter. Li is the middle daughter. Dui is the youngest daughter. [Each obtains their respective line from Qian or Kun.] As noted in the Commentary on the Trigrams, Shao Yong said: 'This is King Wen's arrangement of the eight trigrams -- the positions for practical application, the learning of the Later Heaven.'

The Later Heaven (後天) arrangement attributed to King Wen places the trigrams according to their functional roles in the cycle of seasons and directions used in Chinese cosmology: Li (fire) in the south, Kan (water) in the north, Zhen (thunder) in the east, Dui (lake) in the west. This arrangement is the basis of feng shui compass systems and most forms of Chinese divination.

Hexagram Change Diagram

卦變圖

象傳或以卦變爲說今作此圖以明之蓋易中之義非重卦作爲之本指也凡一陰一陽之卦各六皆自復姤而來凡二陰二陽之卦各十有五皆自臨遯而來凡三陰三陽之卦各二十皆自泰否而來

[Description: The Hexagram Change Diagram, showing how all sixty-four hexagrams derive from simpler hexagrams through line changes.] The Image Commentary sometimes explains things in terms of hexagram change. This diagram is made to clarify that. The meaning within the Changes does not originate solely from the doubling of trigrams. All hexagrams with one yin and one yang line -- six each -- derive from Fu (Return) and Gou (Encounter). All hexagrams with two yin and two yang lines -- fifteen each -- derive from Lin (Approach) and Dun (Retreat). All hexagrams with three yin and three yang lines -- twenty each -- derive from Tai (Peace) and Pi (Standstill).

The hexagram change theory (卦變) explains the origin of each hexagram by tracing which lines in a simpler, more symmetrical hexagram have changed position. Fu (one yang returning at the bottom) and Gou (one yin appearing at the bottom) are the roots of all hexagrams with one exceptional line. This systematic approach helps explain the Image Commentary's frequent statements about lines 'coming from' other positions.

The Yarrow Stalk Divination Procedure

筮儀

筮儀

[Note: The Yarrow Stalk Divination Procedure (筮儀) section in the Prefatory Volume describes Zhu Xi's standardized method for performing Yijing divination using fifty yarrow stalks. The procedure involves four rounds of division and counting to determine each line, repeated six times to build a complete hexagram from bottom to top. This is the method Zhu Xi considered the original and correct form of Yijing divination, as opposed to the coin-tossing method that had become common in his time.]

The yarrow stalk method (揲蓍法) uses 50 stalks (one set aside, leaving 49 active). Through three rounds of division and counting per line, it produces probabilities for each line type that differ from the coin method: old yang (changing) appears with probability 1/16, old yin (changing) with 3/16, young yang (stable) with 5/16, and young yin (stable) with 7/16. Zhu Xi's careful description of this procedure reflects his conviction that the Yijing was fundamentally a divination manual.

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